What you gon do when I appear : Azealia Banks , homophobia & hypocrisy – The Oxford Student

Artistic representation for What you gon do when I appear : Azealia Banks , homophobia & hypocrisy – The Oxford Student

Image description: Azealia Banks performing at O2 Academy Brixton TW: Homophobia, Transphobia It was around 3 AM in one of London’s iconic LGBTQ+ spaces and clubs when I began to feel uncomfortable. It was not from drinking too much nor was it because someone was acting inappropriately – it was because Azealia Banks’ song 212 came on. While I can’t deny it is a good song, in a moment of clarity from my drunken state, I began to question why someone with a history of homophobia and transphobia should be played in what is meant to be a safe space for queer people.

This is a space where they can be themselves, express their identities, and celebrate their culture. It is a place where they can be free from societal pressures and expectations. However, the ‘gay club’ is not a utopia. It is a space that can be fraught with challenges and complexities.

This history of prejudice and discrimination is deeply concerning. It raises serious questions about her ability to serve as a leader in a diverse and inclusive environment. The use of derogatory language and harmful stereotypes is not only offensive but also perpetuates harmful narratives that can have real-world consequences.

The problem is that trolling is never an excuse, and neither does this mean that her music should be welcome in queer spaces. Whether she truly means what she says when she is homophobic and transphobic or is just seeking attention, her homophobia and transphobia are equally as damaging and should be condemned all the same. For a public figure, with the ability to reach over 800 thousand followers on Instagram, to spout intolerant rhetoric, it is bound to have a negative impact. As a public figure, she should be aware of her position and her ability to influence younger fans. While most of us are aware she is trolling, there are still those that are unaware and take on this harmful rhetoric – either as victims or those who will further perpetuate it.

The problem is that trolling is never an excuse, and neither does this mean that her music should be welcome in queer spaces. Ultimately, Banks should be held accountable for her impact – and it is down to the LGBTQ+ community to action this accountability. Celebrities should be made aware that they can’t use homophobia and transphobia for attention. It is damaging and should not be allowed to continue and it affects the most vulnerable in our community above all. We have a duty to advocate for them instead of excusing her intolerance in order to have fun in the club.

Image Credit: “Azealia Banks @ Brixton Academy, London 25/02/12” by The405 is licensed under CC BY 2.0 Post Views: 22,632

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